The Mitakon Speedmaster is a mild telephoto prime lens with a bright focal ratio of f1.2. It’s manual focus only but also much cheaper than the alternatives from Nikon and Canon. How does Zhongyi’s lens perform – especially regarding Bokeh? Find out in my full review.…
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The Canon RF 100-300mm f2.8L IS USM is a high-end telephoto zoom, aimed at close-range sports or where you need a little more reach than a 70-200. Find out more in my hands-on preview!…
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Canon’s RF 24mm f1.8 is a compact wide lens for EOS R cameras, that’s capable of decent results from distant landscapes to close details. Find out more in my full review!…
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The Canon RF 100mm f2.8L IS USM is a high-end macro lens for Canon’s EOS R mirrorless system that’s capable of 1.4x magnification on a full-frame body. In my review I’ll compare it against the highly-regarded EF version.…
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The Canon RF 14-35mm f4L IS USM is a compact, ultra wide zoom for the EOS R mirrorless system. It’s the widest lens in the RF system to date. Find out if it’s the best wide lens for you in my full review!…
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The Canon RF 100-400mm f5.6-8 is a low-cost telephoto zoom for the full-frame EOS R mirrorless system that’s aimed at sports and wildlife. Here’s my full review!…
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The Canon RF 16mm f2.8 STM is a compact ultra-wide prime lens for the full-frame EOS R mirrorless system, aimed at landscape, architecture, astro-photography and vlogging. Here’s my in-depth review!…
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The Canon RF 5.2mm f2.8L Dual Fisheye is Canon’s first interchangeable lens for 180 degree VR capture and designed for the full-frame EOS R mirrorless system. Check out my quick preview of this unique lens!…
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The RF 400mm f2.8 and RF 600mm f4 are the two largest and most expensive lenses for Canon’s full-frame mirrorless system to date. Unashamedly aimed at pro sports and wildlife photographers, they represent Canon at the top of their game. Find out why EOS R is ready for anything in my review of both lenses.…
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The Laowa 25mm f2.8 2.5-5x Ultra Macro is a very special lens: one of only a handful that can deliver up to 5x magnification without the use of bellows or extension tubes. It’s corrected for full-frame cameras, and set to 5x can capture an area of just 4.8×7.2mm. In his review Thomas finds out if it’s the best macro for serious close-ups.…
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